Pařížská 17 Tenement house
The business house Pařížská 17 is an eclectic five-story building from 1907. Located in Prague 1 on Josefov on the corner of the streets of Paris and Red. The object is a remarkable combination of elements of historism and Art Nouveau as well as a high quality of preserved artistic craft.
The construction was built in 1907 following Prague's rendering, a radical rehabilitation of the historic Jewish ghetto. The project authors were architects Richard Klenka and František Weyr. At that time in architecture, there was a transition from history to modern and Art Nouveau, which shows the connection of both styles in the building.
The building is on an approximately rectangular plan. More dominant is the facade oriented to Paris Street. It is divided by two risalities and the tower ends on the right side. The entrance to the house is decorated with richly decorated grate and nothing with stucco vases. The interior preserved original elements, specifically decorative tiles and carpentry details of windows and doors including fittings. The functional distribution of the house remained the same from the beginning: the parter serves business purposes and the upper floors are intended for housing.
The interesting thing is that the house was at the time of its creation a target of criticism of architects from the Jan Kotera circuit. The authors accused of indecent and resigning to modern in favor of eclectism.
Today, the building is valued mainly for its quality details and craftsmanship. It represents an example of urban architecture from the beginning of the 20th century, which combines various aesthetic currents of its time. For visitors, the object is a valuable example of Prague urbanism from the period of rendering.
Historical milestones
- 1907
- the creation of a house under prague rendering
- 1907
- completion of architect Richard Klenka and Franz Weyre
- 1907
- criticism of the building from the perspective of advocates of modern architecture
- 1950
- period of normal use as a combination of shops and flats
Architectural development
The building was built on a rectangular plan with a dominant facade divided by two risalties. The interior preserved original decorated tiles and carpentry elements of windows and doors including fittings. Parter was designed from the beginning for business purposes and upper floors for housing.
Points of interest
- A five-story house from 1907 combines elements of history and Art Nouveau. - The building was created following a radical bailout of the historic Jewish ghetto. - The facade oriented to Paris Street ends with a tower on the right. - The interior preserved original decorative tiles and carpentry details. - At the time of the inception, the house was the target of critics of architects from the Jan Kotěra circuit who accused the authors of bad taste.
Guide
Show guide text
This text was created by artificial intelligence and has not been editorially reviewed. It may contain inaccuracies.
Welcome to the heart of Prague, one of the most beautiful and most important streets of our city. You're standing outside the house with the number 17 in Paris. Stop for a moment, take a deep breath and let the atmosphere of this place surround you. In front of you is a noble five-story building that occupies its presence for anyone who passes through here. The first thing your eyes probably picked up is its distinctive appearance on the corner of Paris and Red. If you look towards Paris Street, notice how the facade is ended by an elegant tower that supplies the whole house with a stage and a certain rhythm within the entire block. It's a building that carries the spirit of its time and tells the story of the transformation of the entire neighborhood you're in right now.
Let us now look together at how this building was built and in what context it was built. One thousand nine hundred and seven were crucial to this place. It was this year that the house was completed. But in order to understand why this house is standing here, we need to go back to a process called Prague rendering. Imagine that there was a historical Jewish ghetto in a place where you are walking on wide and luxurious pavement today. It was narrow alleys, cramped buildings and very heavy hygiene conditions. The city decided to take a radical step, and the old building collapsed to make room for a modern, spacious and hygienic city. It was in this great city intervention that this tenement house was built. The architects Richard Klenka and František Weyr were responsible for its design and implementation. These two creators have decided to create a building that matches the new standard of luxury and representativeness that the new Paris street should have radiated.
Now that you know the history of the site, pay attention to the architecture itself. Look carefully at the front of the house. The building is an excellent example of so-called eclectism. This means that architects did not copy only one style, but combined different elements from different periods. Notice how two worlds intersect here. On the one hand, here we see the elements of reeling historism, a style that has returned to the classic patterns of the past, to their nobility and order. On the other hand, however, you can feel in the details a breath of the coming Art Nouveau. The Art Nouveau was the peak of modernity at that time, bringing organic shapes, smooth lines and new playfulness to the architecture. It is this connection between old and new that makes the Paris 17 house such an interesting object. It's like a bridge between two epoch.
When you observe the facade, think that at the time of your creation the building was not accepted by everyone with enthusiasm. Although we perceive its beauty today, in the year one thousand nine hundred and seven, criticism emerged from the supporters of the most modern architecture. For some criticisms at the time, the combination of historism and Art Nouveau was perhaps too traditional or inconsistent. It's fascinating to see the perception of beauty change in time. What was once the target of a critic is now valued as a quality art craft.
Although we do not know in the background the specific personalities who would live in this house and leave a deep mark in history, the house itself is a witness to history. In the year one thousand nine hundred fifty, the building was commonly used as a combination of commercial premises on the ground floor and apartments on the upper floors. Imagine the people who came here to shop, or the families who lived here and watched Prague change over the decades.
Allow me to interest you now with one interesting thing that cannot be seen at first sight from the sidewalk. While the facade with the tower attracts us from the outside, the real treasure hides within. If you had the opportunity to see the interiors, you would find that the original decorative tiles and precise carpentry details were preserved. It is this internal care detail that confirms that Richard Klenka and František Weyr wanted to create a work that will be of quality in every centimeter, not only in what you can see from the street. It is a reminder of the time when the craft was treated with great respect and precision.
Now, if you look at this five-story house again, think of it as part of a larger picture. It is a monument to the courage to make a radical change in the city, as well as proof of the talent of architects who have been able to combine tradition with modern. The tower on the right side of the facade that rises to heaven is like an exclamation point in this street.
Thank you for stopping by the Paris 17 house with me. I hope this short trip to the year one thousand nine hundred and seven helped you better understand the beauty and importance of this building. Now invited to further explore the surroundings. Go through the rest of this beautiful street, feel its atmosphere and look for further traces of Prague's rendering and architectural styles that you will find here. I wish you a pleasant continued walk around Prague. Goodbye.
Tips for visitors
The best time to visit is in the morning or late afternoon, when the sun hits the facade of the house at an angle that best highlights the details of the eclectic style and decoration from 1907. The building is located in the heart of the city, where you can transport by public connections or by car; verify specific routes in maps.
The best places for photo lovers are the corners of the streets of Paris and Red, where the overall composition of the building can be captured.
Families with children can use a walk around the house to tell about what the city looked like over a century ago and how architecture was changed in Prague's rendering. There are no other monuments listed in the area, so focus on the details of the house itself.
Frequently asked questions
Can the monument be visited?
This is a residential or farm building, not a museum with opening hours. Please view it from public space and respect the owners' privacy. We have no information about access to the interior.
Where is the monument?
Location: Praha 1. The map on this page shows the exact spot.
Why is the monument protected?
It is listed in the Central List of Cultural Monuments of the Czech Republic as a cultural monument (register no. 1483981203).
Businesses nearby
Do you run a restaurant, accommodation, shop, museum, rental, wellness or other visitor service near this monument? Show yourself directly to the people heading to it — this is how they will see you in the app and on the web:
Events nearby
Zdroj akcí: otevřená data měst a obcí ČR (Národní katalog otevřených dat) a kalendář akcí Národního památkového ústavu.
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Accommodation nearby
Trips and activities nearby
Guided tours, tickets and activities nearby from GetYourGuide
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Search tours and activities →Themed route
Pařížská 17 Walk within the area:
1. Entrance hall - Type: interior. The place where the visit begins and basic information can be obtained. 2. Main space - Type: exposure. The heart of the monument, where the main objects and unique objects are exposed. 3. Side halls - Type: additional spaces. Smaller rooms with more detailed demonstrations and additional topics. 4. Internal courtyard - Type: outdoor area. A quiet place to relax and look at the architecture of the building up close.
Seasonal recommendations
In the spring, the surroundings awaken to life and the city gains a fresh look. The sun is pleasantly illuminated in the morning, which is ideal for observing architectural details from the pavement. We recommend light spring coats and walks in the morning when the air is clean and the streets are less crowded.
Summer brings intense light and hot air, which creates a typical atmosphere of the city. The building looks very distinctive in the bright noon sun, but we recommend visiting it in the morning's split or evening coolness to prevent the largest cluster of people. Light, breathable clothes and comfortable walking shoes are suitable.
Autumn is a period of golden light and slightly dripping weather, which gives the memory a melancholy touch. The colors of the surrounding environment change and the atmosphere in the streets is calmer than in the summer months. For visitors it is best to choose a warm sweater and waterproof shoes, while the best time for observation from outside is afternoon.
Winter covers the building with cold and often fog, creating a mysterious and strict impression. In advent time, the area is lit and the building's contours stand out in the freezing air. It is necessary to wear warm winter clothes, gloves and hat because waiting in rows or slow admiration from the outside in the cold requires a sufficient layer of clothing.
Visualizations and artistic views
The visualisations are generated by artificial intelligence and serve as inspiration.
Photos from the area
Real photos taken near the monument
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Sources and literature
Photos: Michal Kmínek / CC BY-SA 3.0 — Wikimedia Commons. The author and licence also appear when you hover over the image.
Faktickým podkladem tohoto textu byl článek na Wikipedii, jehož autory jsou přispěvatelé Wikipedie. Článek je dostupný pod licencí CC BY-SA 4.0.
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